Friday, April 28, 2017

Girlfriend's Day: Michael Stephenson


What an odd mess of a film. At least Michael Stephenson's Girlfriend's Day is mercifully short. It's one of those movies centered on a single joke. In the case of this film, said joke is: what if people took greeting cards really, really, really seriously? At first it seems like the film will be about an ex-greeting card writer and his downward spiral. But then it becomes a darkly comic film noir where an unsuspecting palooka gets roped into things he'd rather not get roped into. None of it really works; the romantic side-plot is trite. But man, Bob Odenkirk is hypnotic. He reminds me of Robin Williams in his dramatic roles--able to channel unspeakable pathos and pain with a silent look.

5/10

LA 92: Daniel Lindsay, T.J. Martin


To read this review, go to: https://www.theyoungfolks.com/review/101860/movie-review-la-92/.

9/10

City of Ghosts: Matthew Heineman


To read this review, go to: https://www.theyoungfolks.com/review/101052/movie-review-city-of-ghosts/.

8/10

Thursday, April 27, 2017

Buster's Mal Heart: Sarah Adina Smith


To read this review, go to: https://www.theyoungfolks.com/review/101000/tribeca-review-busters-mal-heart/.

4/10

Queen of Katwe: Mira Nair


When you strip everything away, Mira Nair's Queen of Katwe is still essentially a by-the-book inspirational sports story. Its standard underdog-from-the-slums-takes-on-the-rich-kids-plot doesn't deviate much from what we've come to expect of the genre. But where it shines is in the in-between moments: the lead character becoming spoiled by her success and exposure to the finer things in life while participating in a big city tournament; the protagonist's mom sacrificing herself to feed her children while her daughter pursues chess glory; and the film's commitment to portraying its characters' faith in a respectful way. We don't tend to see these things in movies, let alone formulaic Disney films. But as far as formulaic Disney films are concerned, Queen of Katwe is pleasant enough.

7/10

The Family I Had: Katie Green, Carlye Rubin


To read this review, go to: https://www.theyoungfolks.com/review/101825/tribeca-review-the-family-i-had/.

8/10

A Thousand Junkies: Tommy Swerdlow


To read this review, go to: http://www.audienceseverywhere.net/a-thousand-junkies-balances-lunacy-pathos/.

8/10

Wednesday, April 26, 2017

Blurred Lines: Inside the Art World: Barry Avrich


To read this review, go to: https://www.theyoungfolks.com/review/101375/movie-review-blurred-lines-inside-the-art-world/.

6/10

November: Rainer Sarnet


To read this review, go to: https://www.theyoungfolks.com/review/100998/tribeca-review-november/.

7/10

The Divine Order: Petra Biondina Volpe


To read this review, go to: https://www.theyoungfolks.com/review/101979/tribeca-review-the-divine-order/.

5/10

The Boy Downstairs: Sophie Brooks


To read this review, go to: https://www.theyoungfolks.com/review/100949/tribeca-review-the-boy-downstairs-embargoed-until-april-23-730pm/.

4/10

The Wedding Plan: Rama Burshtein


To read this review, go to: https://www.theyoungfolks.com/film/100696/tribeca-2017-the-wedding-plan/.

6/10

Saturday, April 22, 2017

Dog Years: Adam Rifkin


To read this review, go to: https://www.theyoungfolks.com/review/101383/movie-review-dog-years/.

8/10

A Suitable Girl: Sarita Khurana, Smriti Mundhra


To read this review, go to: https://www.theyoungfolks.com/film/101761/movie-review-a-suitable-girl/.

5/10

A River Below: Mark Grieco


To read this review, go to: https://www.theyoungfolks.com/film/101523/movie-review-a-river-below/.

8/10

House of Z: Sandy Chronopoulos


To read this review, go to: https://www.theyoungfolks.com/review/101378/movie-review-house-of-z/.

6/10

Friday, April 21, 2017

Lucky Number Slevin: Paul McGuigan


[Revisit Review]

Yes, Paul McGuigan's Lucky Number Slevin is hopelessly derivative of Pulp Fiction. Yes, it's much too in love with its own cleverness and convolution. There's too much surface love of style for style's sake. But dammit, the film is just fun. Josh Hartnett and Lucy Liu have phenomenal chemistry--I particularly love how the latter gradually fell in love with her role as the former's apprentice. I also think the film has decent emotional and dramatic heft, particularly in the third act when the puzzle pieces start coming together.

7/10

Shadowman: Oren Jacoby


To read this review, go to: https://www.theyoungfolks.com/review/101462/movie-review-shadowman/.

7/10

Sambá: Laura Amelia Guzmán, Israel Cárdenas


To read this review, go to: https://www.theyoungfolks.com/review/101373/movie-review-samba/.

5/10

Thursday, April 13, 2017

Royal Wedding: Stanley Donen


To read this review, go to: http://www.imdb.com/title/tt0043983/releaseinfo?ref_=tt_dt_dt.

6/10

Tuesday, April 4, 2017

Ghost in the Shell: Rupert Sanders


So maybe I'm wrong about Rupert Sanders' Ghost in the Shell. Fine. I'll be wrong. I loved it. I thought it was one of the most visually original sci-fi future-scapes in recent cinema. I thought it perfectly streamlined the clunky, exposition-heavy narrative of the original film. I didn't hate Scarlett Johansson's performance; goodness knows it was better than the original English dub for Kusanagi in the original anime. I loved how it filled in plot holes from the original: why was Batou on that boat?; where did the spider-tank come from in the final scene? And I thought the ending was better. I can't and shouldn't overlook the white-washing, and I know I might come off as a hypocrite for saying this, but this was a good film despite that. I wish it wasn't there. But it is. Hate me, boo me. I've said my piece.

8/10

For Here or to Go?: Rucha Humnabadkar


To read this review, go to: http://www.audienceseverywhere.net/go-isnt-well-thought-well-timed/.

5/10

Salt and Fire: Werner Herzog


To read this review, go to: http://www.audienceseverywhere.net/salt-fire-baffling-unfocused-mess/.

4/10

Saturday, April 1, 2017

Manifesto: Julian Rosefeldt


I'm not giving Julian Rosefeldt's Manifesto a rating because, really, it's a companion piece/re-imagining of an art exhibition that I didn't get to see when it came to New York City. The original installation was a multi-screen presentation where Cate Blanchett acted out 13 different manifestos as 13 different characters. My friends who saw the installation told me that the 13 films would periodically sync up, creating a cacophony that was the artwork's high point. Such a chorus only happens once in Rosefeldt's 90 minute feature adaptation: at the very end. The film is at its best when it embraces its own absurdity: Blanchett tearfully delivering a Dada manifesto at a funeral; Blanchett praying a lengthy pop art manifesto at a dinner table while her hungry sons and husband gaze lustily at the roast chicken; Blanchett as a schoolteacher exclaiming the Dogme 95 Manifesto as she corrects her students' classwork. But much of the film is just empty words which, if you're not intimately familiar with the manifestos themselves, wash over you like so many waves.