[Revisit Review]
Rewatching Fritz Lang's DESTINY (1921). The imagery in the framing story is some of the bleakest and most macabre of his entire career.— Nathanael Hood (@NateHood257) February 28, 2016
It's interesting to compare the frenzied madness of the Persian scenes with the almost baroque frame compositions of the Italian scenes.— Nathanael Hood (@NateHood257) February 28, 2016
The Chinese segment is easily the best, mostly because it seems like it's the only one Lang really wanted to make.— Nathanael Hood (@NateHood257) February 28, 2016
6/10Individual parts of DESTINY are great, especially the Chinese segment and the frame story. But it's a haphazard, tonally inconsistent whole.— Nathanael Hood (@NateHood257) February 28, 2016
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