John Crowley's BROOKLYN: proves that good taste need not make a film puerile or naive. Quietly devastating, emotionally bombastic. 8/10
— Nathanael Hood (@NateHood257) December 20, 2015
I adored the cinematography in BROOKLYN, particularly how Yves Bélanger constantly limited the number of light sources for shots.
— Nathanael Hood (@NateHood257) December 20, 2015
The lighting was so sparse that there were rich shadows even in scenes that took place outside in the sunshine.
— Nathanael Hood (@NateHood257) December 20, 2015
As much as I loved Saoirse Ronan, I hope Emory Cohen's performance doesn't get lost in the shuffle.
— Nathanael Hood (@NateHood257) December 20, 2015
Cohen seems to channel the quiet yet intense sincerity of Ernest Borgnine in Delbert Mann's MARTY (1955).
— Nathanael Hood (@NateHood257) December 20, 2015
8/10
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